· O · R · I · G · I · N · A · L   ·   A · R · T   ·   Q · U · I · L · T · S   ·   b · y   ·   M. · E. ·

Original Art Quilts by M.E. -- mariaelkins.com
previous next

2002 Journal QuiltPages

January - September 2002, Copyright © 2002, Maria Elkins, All Rights Reserved.

The Journal QuiltPages project was proposed by Karey Bresenhan, Director of the International Quilt Festival. It was to be "a free-form exercise in creativity, specifically planned to encourage quilt artists to stretch and grow." The project was open only to members of the QuiltArt list and the QuiltPages were displayed at the 2002 IQF show. More than 150 members displayed their work.

I wanted to experiment with many different techniques so I chose to make my QuiltPages following these guidelines:


Click to see a larger image. (265 KB)

(If the pop-up script doesn't work,
click here.)

QuiltPage 1 (Not displayed in Houston)

Comments: This was my "warm-up" piece. I just wanted to do a traditional, quilted feather using a formal, symmetrical balance. This was done without marking the quilt top. Straight lines were quilted by running the presser foot against a ruler while sewing. I chose to withhold this quilt from the final display because it did not have any coloring or embellishments.
Coloring Agent: None
Embellishment: Only quilting
Quilting Thread: YLI 100% silk thread, 100 wt.
(available from Web of Thread)
Batting on
Top Half:
Mountain Mist 100% cotton
Batting on
Lower Half:
Hobbs Heirloom Washable Wool (100% wool)
(available from Hancock's of Paducah)


Journal 2

Click to see a larger image. (262 KB)

(If the pop-up script doesn't work,
click here.)

QuiltPage 2 (January)

Comments:This quilt was an extension of QuiltPage 1, using a similar feather motif in an informal balance. After I did this one, I decided to use the feather motif throughout my journal quilts.
Coloring Agent: Prismacolor pencils
When washed in Synthropol they faded (as shown in the outside feathers). The inside feathers were colored a second time to show what Prismacolor pencils look like unwashed.
Embellishment: Glass seed beads
Quilting Thread: Sulky® 100% rayon thread, 40 wt.
Batting on
Top Half:
Quilter's Dream Request (100% polyester)
Batting on
Lower Half:
Warm & Natural (100% cotton)
(available from Hancock's of Paducah)


Journal 3

Click to see a larger image. (446 KB)

(If the pop-up script doesn't work,
click here.)

Image used with permission.
© ERAGraphics

QuiltPage 3 (Not displayed in Houston)

Comments:I wanted to experiment with computer printing on fabric. Specifically, I wanted to know how Bubble Jet Set 2000 (BJS) improved the print quality and whether it was needed with laser printers.
(BJS is also available from Dharma Trading Co.)
Coloring Agent:Ink jet and laser printing on fabric
Row 1: Ink jet on BJS treated fabric
Row 2: Ink jet on untreated fabric
Row 3: Laser printing on BJS treated fabric; inner portion was heat-set and outer edges were not
Row 4: Laser printing on untreated fabric; inner portion was heat-set and outer edges were no
(The best results were ink jet on BJS treated fabric and heat-set, laser printing on untreated fabric.)
Embellishment: None
Quilting Thread: YLI Wonder Invisible thread, clear and smoke
Batting on
Top Half:
Hobbs Thermore Ultra Thin Batting (100% polyester)
Batting on
Lower Half:
Fairfield Natural Cotton (100% cotton)


Journal 4

Click to see a larger image. (337 KB)

(If the pop-up script doesn't work,
click here.)

QuiltPage 4 (February)

Comments:Tsukineko All-Purpose Ink is a relatively new product (to me at least) and I think it has a lot of potential. I used it on commercially printed fabric for my Evening Star quilt. It is easy to work with and very permanent when heat set.
Coloring Agent: Tsukineko All-Purpose Ink
(available from Web of Threads)
Top feather: ink mixed with thickener and applied with a brush
Bottom feather: undiluted inks applied with foam applicator
Background: ink applied to wet fabric
Embellishment: Glass irridescent bugle beads, gold and silver Lumiere fabric paint
Quilting Thread: Sulky® sliver, metallic and irridescent threads
Batting on
Top Half:
Hobbs Heirloom Organic (100% cotton with scrim)
Batting on
Lower Half:
Perfect Cotton "Natural" (88% cotton, 12% polypropylene)


Journal 5

Click to see a larger image. (343 KB)

(If the pop-up script doesn't work,
click here.)

QuiltPage 5 (March)

Comments:I had received a sample pack of red, blue and gold Createx fabric paints, so I decided to use only those three colors and play with mixing new colors.
Coloring Agent: Createx Textile Colors
(available from Dharma Trading Co.)
Background was splatter painted and the feathers were stenciled with brush, foam brush, sponge, rag, rubber stamp and other found objects.
Embellishment: Fusible sequins, fusible rhinestones, fusible nailheads
(available from Sue's Sparklers)
Quilting Thread: YLI Reflections thread, Madeira metallic and heavy metal threads
Batting on
Top Half:
Mountain Mist Gold-Fuse (50% cotton, 50% polyester)
Batting on
Lower Half:
June Tailor Quilter's Fusible (100% cotton)


Journal 6

Click to see a larger image. (397 KB)

(If the pop-up script doesn't work,
click here.)

QuiltPage 6 (April)

Comments:D'Uva Watercolors were another new product I wanted to try. The watercolors are supposed to be "erasable" until heat-set. However, I found they do not erase very well from fabric. The company does have quite a bit of information on how to use them on fabric, though.
Coloring Agent: D'Uva Erasable Watercolors
(list of retailers)
Embellishment: Jones Tones Foils
Quilting Thread: Valdani 100% cotton, variegated thread (35 weight)
Batting on
Top Half:
Yolo Wool Products (100% wool)
Batting on
Lower Half:
Nature's Comfort (100% wool)


Journal 7

Click to see a larger image. (438 KB)

(If the pop-up script doesn't work,
click here.)

QuiltPage 7 (May)

Comments:Background was painted with Setacolor and washed without heatsetting. There was very little color loss. Both the Setacolor and the Lumiere paints proved be be very opaque when I painted the lighter colors over the top.
Coloring Agent: Pebeo Setacolor and Jacquard Lumiere fabric paints (both available from Dharma Trading Co.)
Embellishment: Sprinklers Premium Fashion Glitter and Pearl-Ex
Quilting Thread: Madeira Polyneon thread (100% polyester, 40 weight) with a double needle
Batting on
Top Half:
Matilda's Own (60% wool, 40% polyester)
Batting on
Lower Half:
Maple Ridge Sheep Farm (100% wool)


Journal 8

Click to see a larger image. (226 KB)

(If the pop-up script doesn't work,
click here.)

QuiltPage 8 (June)

Comments:I made this quilt specifically so I could use some real feathers as embellishments. I was also curious about using ordinary crayons on fabric.
Coloring Agent: Pentel FabricFun Pastel Dye Sticks (top left feather, central black feather, and background)
(available from Dharma Trading Co.)
Crayola Crayons (brown feathers and third feather from the bottom left)
All have been heatset and washed.
Embellishment: Feathers and charm
Quilting Thread: Madeira Opal thread, intentionally quilted crooked with occasional thread tufts at the intersections
Batting on
Top Half:
Fiberco Simply Cotton Back to Basics (100% cotton)
Batting on
Lower Half:
Fiberco Soft and Elegant (50% cotton, 50% polyester)


Journal 9

Click to see a larger image. (233 KB)

(If the pop-up script doesn't work,
click here.)

QuiltPage 9 (Not displayed in Houston)

Comments:This Dr. Seuss-inspired design was my excuss to try out several different fabric markers. I wasn't happy with the flocking, so this quilt was not displayed in Houston.
Coloring Agent: Marvy Deco fabric markers, Marvy fabric marker, Y&C Fabric Mate, Sakura Pigma Micron pens
Embellishment: Soft Flock by Plaid Enterprises, Inc.
Quilting Thread: YLI Wonder Invisible thread, clear and smoke
Batting on
Top Half:
Mountain Mist Quilt Light (100% polyester)
Batting on
Lower Half:
Fairfield Poly-Fil Low Loft (100% polyester)


Journal 10

Click to see a larger image. (403 KB)

(If the pop-up script doesn't work,
click here.)

QuiltPage 10 (July)

Comments:This design was an attempt to do something totally different for me. It is inspired by a close-up photograph of a feather.
Coloring Agent: Jacquard Dye-na-flow and Jacquard Water Based Resist
(available from Dharma Trading Co.)
Embellishment: Brass WireMesh, ArtEmboss aluminum, wire, eyelets, glass, sliver threads
Quilting Thread: Oliver Twists 100% cotton, hand-dyed thread
(available from Web of Thread)
Batting on
Top Half:
Fairfield Cotton Classic (80% cotton, 20% polyester)
Batting on
Lower Half:
Hobbs Premium Cotton Blend (80% cotton, 20% polyester)


Journal 11

Click to see a larger image. (411 KB)

(If the pop-up script doesn't work,
click here.)

QuiltPage 11 (August)

Comments:Sunprinting with Setacolor is very easy and a lot of fun. Slop the paint on, throw something on top of it, and stick it in the sun. I used different pastas and a needlepoint canvas to print this background. For this quilt, the feather motif is carried out only in the quilted outline of a feather.
Coloring Agent: Pebeo Setacolor sun printing
Embellishment: Cotton, rayon and silk yarns with pearl and porcelain buttons
Quilting Thread: Robison Anton 100% rayon thread (40 weight)
Batting on
Top Half:
100% silk batting
Batting on
Lower Half:
Air-Lite Synthetics (80% cotton, 20% wool) from Connecting Threads


Journal 12

Click to see a larger image. (395 KB)

(If the pop-up script doesn't work,
click here.)

QuiltPage 12 (September)

Comments:The spiral tie-dye background provides a backdrop for some unusual embellishment materials.
Coloring Agent: Procion dye
Embellishment: Tyvek, mylar, and shrink plastic; mulberry and silk paper; irridescent organdy, tulle, and netting
Quilting Thread: Aurifil 100% rayon, variegated thread
Batting on
Top Half:
Quilter's Dream Request 100% cotton (low loft)
Batting on
Lower Half:
Quilter's Dream Deluxe 100% cotton (high loft)


Journal 13

QuiltPage 13 (Begun after QuiltPage 7 - not finished or displayed.)

Comments:This was my fun experiment with marbling. I didn't end up using it because it turned out too large and I didn't have time to make a second one. I do plan on trying this again sometime.
Coloring Agent: Marbling colors from PRO Chemical & Dye
Embellishment:None
Quilting Thread:Not quilted
Batting on
Top Half:
Not quilted
Batting on
Lower Half:
Not quilted


Journal 14

QuiltPage 14 (Begun after QuiltPage 2 - not finished or displayed.)

Comments:Here is a perfect example of why it is important to experiment before using a new product on a large quilt. For this one I drew some feathers using oil pastels. I heat set it and stiffened the fabric with SuperSolvy. The project sat for about two months before I machine embroidered over the colored areas. When I washed the piece to remove the SuperSolvy, I found that the pastels were not permanant on fabric. In addition, the areas where I machine embroidered over the pastels were extremely weakened and they shredded. I photographed this over red paper so the deteriorated areas easily could be seen. This piece was cut in half and a piece was sent to Cray-Pas for analysis.
Coloring Agent: Sakura Cray-Pas Specialist Oil Pastels (heat set)
Embellishment: Madeira PolyNeon thread used for thread painting (fabric was stiffened with Sulky® SuperSolvy dissolved in water)
Quilting Thread:Not quilted
Batting on
Top Half:
Not quilted
Batting on
Lower Half:
Not quilted


These experiments are actually the fulfillment of an idea that I had over twenty years ago, but at the time I was too afraid of failure to try. Now I'm older (and maybe a little wiser) and I've come to realize that it's okay to fail because it teaches me what works and what doesn't. Ultimately, it's not the final product that is important, it's the learning process that matters.

Sulky® is a registered trademark of Sulky of America.

previous next

Comments on "Journal QuiltPages"?

You can enjoy Journal QuiltPages created by other quilters at the following websites:

Copyright 2008, Maria Elkins
Please do not copy text, graphics or quilt designs without permission.

Last updated August 10, 2006.